He is particular about the way he presents Dillinger and Billie. You might not think it was possible to make a film about the most famous outlaw of the 1930s without clichés and "star chemistry" and a film class screenplay structure, but Mann does it. He allows himself a tiny smile when he gives her the coat, and it is the only vulnerability he shows in the movie. Against what? Against the danger of being his girl. It is all about his vow to show up for her, to protect her.
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They had sex, but the movie is not much interested.
That is, he took her out at night and bought her a fur coat, as he had seen done in the movies he had no real adult experience before prison. He had no exit strategy or retirement plans.ĭillinger saw a woman he liked, Billie Frechette, played by Marion Cotillard, and courted her, after his fashion. His gang members loved the money they were making. Here is an efficient, disciplined, bold, violent man, driven by compulsions the film wisely declines to explain.
Johnny Depp and Michael Mann show us that we didn't know all about Dillinger.
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